Actors' Shakespeare Project Named 2012 National Arts & Humanities Youth Program Award Finalist!:

Seasonal Acting Company

Esme Allen

Mistress Page & Pistol, The Merry Wives of Windsor

Esme is thrilled to make her first appearance with Actors’ Shakespeare Project. A North Shore native, Esme has returned to Boston after earning her MFA in acting from California Institute of the Arts, where favorite credits include: Beyond the Horizon, Cat on a Hot Tin Roof, Hedwig and The Angry Inch, The Bacchae, and The Living Room, a one-woman show that she wrote and performed. Professional credits include: Youth Ink! (McCarter Theatre), Jack, or the Submission, The Whole Arrangement (Edinburgh Fringe Festival), The Good Wife (CBS), Ask the Bartender (FOXNEWS), and the musical horror film Zombie Love (Directed by Yfke van Berckelaer). Esme also creates collage based visual art, which has been exhibited in the North Shore area and teaches part time at Wheelock Family Theatre.

James Andreassi*

Sir Toby Belch, Twelfth Night

Actors’ Shakespeare Project: Antony,  Antony & Cleopatra. Mr. Andreassi is the founder and Artistic Director of The Elm Shakespeare Company in New Haven, CT. He has performed at theatres across the United States, including the Long Wharf Theatre, the American Repertory Theatre, the Pittsburgh Public Theatre, the Cleveland Playhouse, the Rep. of St. Louis, the Three River Shakespeare Festival, Shakespeare & Co., the Merrimack Repertory Theatre, and the Pioneer Theatre Co. among many others.  Mr. Andreassi has played such roles as Petruchio in The Taming of the Shrew, Bazarov in Brian Friel's adaptation of Turgenev's Fathers and Sons, Iago in Othello, Falstaff in Henry IV, Part 1, Benedick in Much Ado About Nothing, Claudius in Hamlet, Athos in The Three Musketeers, Rocco in Saturday, Sunday, Monday, Touchstone in As You Like It, Argan in The Imaginary Invalid and the title roles in Macbeth, Richard III and Robin Hood. For the Elm Shakespeare Company, Mr. Andreassi has directed Henry IV, Part 1, The Tempest, Macbeth, Othello, A Midsummer Night's Dream, The Taming of the Shrew, Romeo and Juliet. Hamlet, The Matchmaker, Twelfth Night, The Three Musketeers, Robin Hood, Holiday and The Winter’s Tale. At Southern Connecticut State University, he has directed Neil Simon's Rumors, Romeo and Juliet and Shaw’s Misalliance. In 1993/94, Mr. Andreassi was the first American to appear with a Chinese theatre troupe when he performed all over the People's Republic of China, and at the Hong Kong Arts Festival, in the Shanghai People's Art Theatre/Long Wharf Theatre co-production of The Joy Luck Club, directed by Arvin Brown. In New York City, he has appeared at the Mint Theater, the New York Theatre Workshop, and on ABC's One Life to Live. He has taught and lectured on acting, Shakespeare and the theatre at Yale University, Southern Connecticut State University, Quinnipiac University, the Yale Center for British Art and at the Hopkins School. Mr. Andreassi is an Associate Fellow of Calhoun College at Yale, and he was the recipient of the 2004 Greater New Haven Arts Council award. In 2007 The Wilderness Medicine Institute of the National Outdoor Leadership School certified him as a Wilderness First Responder.

Lydia Barnett-Mulligan

Ann Page/Bardolph/Robin/Dr. Caius, The Merry Wives of Windsor

Lydia was most recently seen inSteel Magnolias at Stoneham Theatre, directed by Paula Plum, and in Holland Productions’ Hideous Progeny at the Boston Playwrights’ Theatre. Other regional roles include Juliet in Shakespeare on Love (Commonwealth Shakespeare Company), Monica in The Physicists (Williamstown Theatre Festival), Juliet in Romeo & Juliet (Stratford Summer Arts Festival) and Cecile in Tina Packer’s Les Liaisons Dangereuses at Shakespeare & Company in Lenox, MA, where she has trained and performed since the age of fifteen. Other S&Co credits include Ice Glen, The Servant of Two Masters, The Tamer Tamed, and Twelfth Night. Last spring she hit the road with Shakespeare NOW’s tour of A Midsummer Night’s Dream, Romeo & Juliet, and Macbeth, and assistant directed Adrianne Krstansky’s Antony & Cleopatra at Actors’ Shakespeare Project.  Directing credits includeKing John, The Tempest, and Someone Who’ll Watch Over Me, all at Williams College. 

Siobhan Juanita Brown

Chorus, Medea

Actors’ Shakespeare Project: Ensemble, Antony & Cleopatra; Siobhan is from Roxbury and holds a bachelor of fine arts degree in performing arts and African American studies from Emerson College, and is a graduate of the American Repertory Theater Institute for Advanced Theater Training at Harvard University. Performance credits include Suzan-Lori Parks’s The America Play at the American Repertory Theater, The Emancipation of Valet de Chambre (premiere) at Cleveland Play House, Studs Terkel’s American Dreams: Lost and Found (premiere) with the Acting Company, Funnyhouse of a Negro at Brandeis Theatre Co., and several seasons with Commonwealth Shakespeare Company on Boston Common. She is the associate director of education at Citi Performing Arts Center. Siobhan began her work there as a teaching artist, and has also taught with the Strand Theatre, Commonwealth Shakespeare Company, and nationally with the Acting Company.

Danny Bryck

Patroclus, Troilus & Cressida

Danny is thrilled to be working with ASP again, having performed in Cymbeline last winter. Other Boston credits include Breaking the Code with Underground Railway Theatre, the title role in Cyrano de Bergerac in both English and Spanish with Apollinaire Theatre Company, The Real Inspector Hound with The Publick Theatre, The Corn is Green with The Huntington Theatre Company, The Donkey Show with American Repertory Theater, Animal Farm with New Repertory Theatre, Carny Knowledge with Fort Point Theatre Channel, and the title role in Hedwig and the Angry Inch with Blue Spruce Theatre, which earned him an IRNE award nomination. Danny is an artistic associate with Whistler in the Dark Theatre, where he has performed in Family Stories and the IRNE award-winning Tales from Ovid. Danny has also performed in New York and around Western Massachusetts, in a handful of independent films, and on As the World Turns. In addition, he works as a dialect coach and theater educator. This season, he can also be seen in RENT with New Repertory Theatre, Romeo and Juliet with Shakespeare Now!, The Nutcracker with Stoneham Theatre and A Number with Whistler in the Dark. He holds a BFA from Boston University and studied at LAMDA.

Paige Clark

Helen, Troilus and Cressida

Paige is thrilled to be making her ASP debut this season. She is an actress and teaching artist with Riverside Theatre Works, Theatre Espresso, and Shakespeare Now. Paige received her training at Boston University's school of theater and the London Academy of Music and Dramatic Arts. Shakespeare Now: Romeo & Juliet (Benvolio), A Midsummer Night's Dream (Hermia), Macbeth (Ross/Fleance), Julius Caesar (Lucius). Holland Productions: The Mistakes Madeleine Made (Edna). Summer Theatre at Salem: Lend Me a Tenor (Maria). BU/LAMDA: My Sister's Keeper (Sarah), Deported (Varter), Tartuffe (Dorine), Call of the Wild (Spitz), Othello (Cassio), The Country Wife (Sparkish). TV: Totally Patriots (Chef Paige - Cookbook Coach segment). Special thanks to Dave for always believing in me!

Joel Colodner*

Ageus/Creon, Medea

Actors’ Shakespeare Project: Henry IV, Parts I and II (King Henry), Timon of Athens (Senator), Duchess of Malfi (The Cardinal), King John (King of France), Titus Andronicus (Marcus Andronicus), and The Winter's Tale (Polixenes). Last season at the Lyric Stage he played Aryeh Lev and Jacob Kahn in My Name is Asher Lev, and he was Skelly Mannor in the Stoneham Theater production of The Rimers of Eldritch. He has appeared as Signor Naccarelli in The Light in the Piazza and as Louis Hillesum in The Wrestling Patient at SpeakEasy Stage and as Man 1 (the King) in Indulgences at New Repertory. He was Egeus in A Midsummer Night's Dream with Commonwealth Shakespeare Company. He has played Scrooge in A Christmas Carol for both Atlanta’s Alliance Theatre and Seacoast Repertory in his current home town of Portsmouth, NH. Joel replaced David Morse in the role of Uncle Peck in How I Learned to Drive off-Broadway. He was Starbuck in The Rainmaker for The Guthrie Theater in Minneapolis, Richie in Streamers, Mick in Comedians and Horatio in Hamlet at the Arena Stage, and Konstantin in The Seagull at Pittsburgh Public Theatre. He was in the original cast of the musical, Is There Life After High School? at Hartford Stage and did another Starbuck, this time in Moby Dick...Rehearsed at the Mark Taper Forum. Joel has appeared on stage in New York City with Meryl Streep and John Lithgow in A Memory of Two Mondays by Arthur Miller, and with Kevin Kline and Patti Lupone in The Beggars’ Opera and Measure for Measure with The Acting Company. He spent two summers at the Oregon Shakespeare Festival in Ashland, playing Troilus in Troilus and Cressida, Malcolm in Macbeth, Lucentio in The Taming of the Shrew and other roles. During a seven-year stint in LA he guest starred in numerous series including “LA Law”, “Moonlighting”, “St. Elsewhere”, “Remington Steele” and “Cagney and Lacey”, and played a host of doctors and lawyers (mostly) in TV movies. He played Bart Walker the lovelorn psychocardiointernogynecologist on the daytime serial “Texas”. He served in the Peace Corps in Seoul, South Korea, as a conscientious objector during the Vietnam conflict he was trained as a combat medic and served as a medical research subject. Joel holds a bachelors degree from Cornell University and a masters of fine arts from Southern Methodist.

Steven James DeMarco

Aeneas & Menelaus, Troilus and Cressida

Steven James DeMarco (Aeneas/ Menelaus) is making his debut with Actor's Shakespeare Project.  Other regional credits include Superior Donuts (The Lyric Stage Company), The Donkey Show (American Repertory Theater), Bug (Flat Earth Theatre), Mrs. Smith Presents... (Emerging American Festival 2010), and Bent (Hovey Players).  He received his B.A. with a field of study in Dramatic Arts, from the Harvard University Extension School.  He is a member of the Screen Actors Guild and the American Federation of Television and Radio Artists.   Television: Body of Proof (ABC), Gilded Lilly's "Pilot" (ABC), Film: Perkins 28 (Fabular Films), Commercial: Dunkin' Donuts (Hill Holiday).  

McCaela Donovan

Chorus, Medea

McCaela is a theatre educator, audition coach, and an IRNE nominated actress in Boston. She holds an MFA in acting from Brandeis University, a BFA in musical theatre from Ithaca College, and an MA in theatre education from Emerson College. Boston/Regional credits: American Repertory Theatre, Speakeasy Stage Co, Commonwealth Shakespeare Co, Berkshire Theatre Festival, Reagle Players, New Repertory Theatre, Company One, Emerson Stage. New York credits: MSM Professional Musical Theatre Showcase, New York Musical Theatre Festival, Primary Stages and The People’s Theatre Lab. Film/Television: Guiding Light (CBS), Smoked, The Company Men (Warner Brothers), and What’s My Number? (20th Century Fox). Commercial/Industrials: Hewlett-Packard, RockStar Videogames, Scholastic Publishing, and Spotco Inc. McCaela is a proud member of the Screen Actors Guild, and the Society for American Fight Directors, and is a founding member of mycollegeaudition.com.

Ruby Rose Fox

Mistress Quickly/Shallow, Merry Wives of Windsor

Actors’ Shakespeare Project: Living in Exile, Macbeth. Ruby is thrilled to be apart of the Actor’s Shakespeare Project this season. Recent productions include 1001 (Company One), Not Enough Air (Nora), and Spring Awakening (Zeitgeist Stage). She is currently recording her first solo album titled Old-Fashioned. She has performed two one-woman shows titled Little Legacy for the palliative care unit at Children’s Hospital and The Other Woman with The Boston Experimental Theater. She’d like to thank her Mom.

Adam Freeman

Medea's son, Medea

Adam Freeman is a sixth grade student on the Northshore.  His Boston area credits include, Young Dylan in A Child's Christmas in Wales (Boston Playwrights' Theatre/Boston Children's Theatre), A Christmas Story (New Repertory Theatre), and The 2011 Boston Theatre Marathon (Boston Playwrights' Theatre).  Adam can also be heard as  the voice of "Henry" in the PBSkids show Fizzy's Lunchlab. 

Gabriel Graetz

Fabian/Ensemble, Twelfth Night

Gabriel is a recent graduate of Emerson College. Performance credits include the workshop of Death and the Powers directed by Diane Paulus, The Theater Offensive's Come As You Are play festival, Edward Albee's The Goat, or Who is Sylvia? at Manbites Dog Theatre, and Much Ado About Nothing, The Merchant of Venice and Twelfth Night at Emerson College. Gabriel can also be seen in the forthcoming independent film, About Time.

De’Lon Grant

Achilles, Troilus & Cressida

De’Lon recently had the honor of being part of cast of Passing Strange (New Repertory Theatre) and made his Actors' Shakespeare Project debut in Cymbeline last year. Other area credits include 25th Annual Putnam County Spelling Bee (Lyric Stage Company), Harriet Jacobs (Underground Railway Theatre), A Tale of Two Cities, Seussical the Musical, St. Joan (Wheelock Family Theatre). Some regional credits include Rent (Roxy Regional Theatre), and Urinetown (The Gallery Players). De'Lon has a BFA in Acting from the University of Michigan, and an MM in Musical Theatre from The Boston Conservatory.

John Greene

Page/Host of the Garter, The Merry Wives of Windsor

Actors’ Shakespeare Project: King John, The Merchant of Venice, and Henry IV Parts 1 and 2. He recently toured with Shakespeare Now!, performing in Romeo and Juliet, A Midsummer Night’s Dream, and Macbeth. John also toured with Momentum Theater Troupe in a production of The Tempest. In addition to acting, John records music and writes fiction.

Nigel Gore*

Jason, Medea

Nigel is making his debut with ASP. This Summer he will play Richard III for the Colorado Shakespeare Festival in Boulder Colorado. Recent work includes: George, in Who’s Afraid of Virginia Woolf - 2010, Eliot Norton Award, Outstanding Actor; George Pye in Humble Boy; Henry Carr in Travesties (Boston Publick Theatre); Squeers/Hawk in Nicholas Nickleby at Lyric Stage; Mark Antony in Antony and Cleopatra; Sir Toby Belch in Twelfth Night; Bottom in A Midsummer Night's Dream; Claudius in Hamlet; Buckingham in Richard III; Lavache in All's Well That Ends Well (all with Shakespeare & Company).

Jesse Hinson

Sebastian, Twelfth Night

Actors’ Shakespeare Project: Antony and Cleopatra. Berkshire Theatre Festival: Moonchildren, Macbeth, The Einstein Project, A Christmas Carol. Brandeis Theatre Company: Three Sisters, Love's Labour's Lost, The Game of Love and Chance, Hecuba, Siddhartha, Funnyhouse of a Negro, Little Monsters. Georgia Shakespeare: Twelfth Night, Romeo and Juliet, Macbeth, Much Ado About Nothing, Coriolanus, Cymbeline. Jesse earned an MFA in acting at Brandeis University and a BA in theatre at Oglethorpe University. Jesse is thrilled to work with Actors' Shakespeare Project once again. 

Obehi Janice

Chorus, Medea

Obehi is a performer and writer from Lowell, Massachusetts.  Actors' Shakespeare Project: Henry IV, Parts 1 & 2 (Lady Mortimer, Ensemble).  Boston credits include: My Wonderful Day (Zeitgeist Stage Company), Candyland (New Exhibition Room), Harriet Jacobs (Underground Railway Theatre), The Overwhelming (Company One).  She is a graduate of Georgetown University and has trained at Shakespeare & Company.  She is the recipient of a 2010 grant from the Massachusetts Cultural Council for her one-woman show, Fufu & Oreos, which premiered at the 119 Gallery in May 2011. www.fufuandoreos.com

Gabriel Kuttner*

Sir Hugh Evans, The Merry Wives of Windsor

Gabriel Kuttner is delighted to be making his ASP debut! Recent work includes: Love Song (Orfeo Group) Walking the Volcano (Boston Playwrights’), DollHouse (New Rep) On An Average Day, Fully Committed (IRNE Award – Solo Performance), A Christmas Carol and the U.S. premiere of Hockey Mom, Hockey Dad (Stoneham), Charlie Fox in Speed-the-Plow (New Rep – IRNE Award, Best Supporting Actor). For Orfeo Group, other credits include two Elliot Norton Award-winning productions: The Complete WOWSA and Look Back in Anger. For the Publick Theatre, roles include: The Real Inspector Hound, Faith Healer (IRNE Nom.), Travesties, Romeo and Juliet, Misalliance, Copenhagen, the Beard of Avon and Design for Living. Other regional theatre includes: Pugilist Specialist and Bug (WHAT), Talking to Terrorists (Súgán Theatre Company) as well as originating the role of Henry Kohl in the world premiere of Permanent Whole Life (IRNE Award - Best New Play) at Boston Playwrights Theatre. London theatre includes: Greek by Steven Berkoff (Riverside Studios), the European premiere of In the Boom-Boom Room, by David Rabe (Courtyard Theatre), Rents, by Michael Wilcox (Courtyard Theatre), the European premiere of Shaved Splits, by Sam Shepard (Edinburgh Fringe and Riverside Studios) and Death of a Salesman for the English Theatre, Frankfurt. Gabriel is a graduate of The London Academy of Music and Dramatic Art (LAMDA) and a proud member of Actors’ Equity.

Grant MacDermott

Messenger/Tutor, Medea

Grant received his BFA in acting from Emerson College. Credits include Commonwealth Shakespeare Company: Comedy of Errors (Dance Captain/ Pinch u/s), New Repertory Theater: Mister Roberts (Lindstrom), New Rep on Tour: Hamlet (Laertes), Shakespeare Now!: MacBeth (Donalbain/ Murderer), Stoneham Theater: A Christmas Carol (Young Scrooge/ Topper), The Nora Theater Company: Not Enough Air (Jonathan/ Judd Grey), SpeakEasy Stage Company: The Great American Trailer Park Musical (Duke), The Lyric Stage Company: The Life and Adventures of Nicholas Nickleby (Mr. Pluck/ Frank Cheeryble), Animal Crackers (Jamison/ John). Grant is also a published poet.

Ross MacDonald*

Hector, Troilus & Cressida

Ross started working in the Boston area in 2008. He was last seen as Guildenstern (Rosencrantz and Guildenstern are Dead) with The Summer Festival Theater Company. He has worked with The New Rep a number of times playing Arthur Dimmesdale, The Scarlet Letter and Bob Cratchitt, A Christmas Carol on the New Rep on Tour program, on the main stage he has played Brendan, Lieutenant of Inishmore, The Playwright, Exits and Entrances, and Chief Jonson, Mister Roberts. He has also worked with the Publick Theatre of Boston as Yakov, The Seagull and Simon Bliss, Hayfever. Back in his native UK, Ross worked with a number of companies, playing Faustus, Doctor Faustus, Malcolm, Macbeth, Lucentio, Taming of the Shrew, Spurio, Revengers Tragedy, Mercutio, Romeo and Juliet, and Aston, The Caretaker. He also spent two summers working with The Oxford Shakespeare Company, with roles including Benedick, Much Ado about Nothing, Fenton and Pistol, Merry Wives of Windsor, and Macbeth, Macbeth. Ross trained at The London Academy of Performing Arts. He is absolutely delighted to be working with ASP this season.

Johnnie McQuarley

Ajax, Troilus and Cressida

Johnnie is very excited to be returning to Actor's Shakespeare Project this season.  He previously appeared in Antony and Cleopatra playing many characters.  He is an alum of Brandeis University those credits include: Love's Labour's Lost(Costard) Steve Maler guest director; Funnyhouse of a Negro (Ensemble) David Gammons guest director; Cocktail Time in Cuba in conjunction with Primary Stages (Old man/Fidel Castro);Siddhartha (Kamaswami/Father) Rick Corley guest director; Hecuba (Agamemnon); Tea and Flowers, Purity and Grace (Simon Rosedale); and The Game of Love and Chance (Janet Morrison). His Alabama State University credits include: West Side Story (Bernardo); Jesus Christ Superstar(Judas); Six Characters... (Father); and August Wilson's Jitney (Turnbo).  He recently featured in the Berkshire Theatre Festival in Macbeth (Lennox), and  New Century Theatre's production of Superior Donuts (Franco Wicks).

Craig Mathers

Ulysses/Ensemble, Troilus & Cressida

Craig Mathers (Ulysses, Troilus & Cressida) Actors' Shakespeare Project: The Taming of the Shrew. Other recent Boston appearances include Not Enough Air  at the Nora Theater, The Three Sisters for Brandies Stage Company, Picnic at Stoneham Theatre and The Light in the Piazza  at Speakeasy Stage. New York credits include the solo performance I MIGHT BE EDGAR ALLAN POE at the 2012 N.Y. International Fringe Festival, Tea and Sympathy with the Keen Company, Pera Palas at Second Stage, Poor Folk's Pleasure  at The Flea, Salt at the Actors' Studio and The Love of the Nightingale at Soho Rep. Regional appearances include The Grapes of Wrath at Syracuse Stage, Edward II and Hamlet at Yale Rep, Travels with my Aunt and Macbeth at Baltimore Center Stage, All My Sons at Indiana Rep, the Adding Machine at Sacred Fools Theater, and Mass Appeal at Worcester Foothills. TV and film work includes: Law & Order, Law & Order: SVU, Spin City, As The World Turns, and the CBS pilot, House Rule as well as the feature films, The Funeral KingsThe Last Harbor and The Company Men. Craig is currently Assistant Professor of Performing Arts at Emerson College.

Omar Robinson

Antonio/Sea Captain, Twelfth Night

Omar is a graduate of Emerson College where he received a BA in acting and television/video production.  Recently, he was featured in Summer Festival Theater's productions of Orsino, Twelfth Night and Player, Rosencrantz and Guildenstern are Dead.  Past credits include: Runner: The Novel: The Play (Holland Productions), Julius Caesar, Macbeth, Romeo & Juliet, A Midsummer Night's Dream (Shakespeare NOW!), Art (Parish Players Theatre) and Tape (Bremen Town Entertainment).  Twelfth Night is his ASP debut.

Jack Wagner

Medea's son, Medea

Jack Wagner is a fourth grade student at the Carroll School in Lincoln, Massachusetts.  He enjoys rock climbing, skiing, skateboarding, and drawing/painting.  His previous stage experience includes a solo performance on the electric guitar at a school assembly.